Overall Design Scheme

The neutral and stark nature of the space is striking. The overall design scheme, from the outside to the smallest interior details, was explicitly chosen to evoke a certain mood from visitors. As Klemp writes:

“The Temple’s interior design scheme is open, light, and airy. Colors used for flooring, wall covering, and seating include white, cream, light beige, golden beige, and different hues of blue. Woodwork throughout the building is oak with a whitewash finish. Golden anodized aluminum is used as an accent in the Temple lobby and Sanctuary. All of the material and colors throughout the Temple were carefully selected to create a sense of tranquility, light, and beauty. All contribute to the simple elegance and grace of the Temple of ECK.” 1

According to Klemp, there was much care and thought dedicated even to the color selection of the ivory concrete mixture for the outer walls. 2 The walls are lined with cloth and most of the space is carpeted to keep sound down to a minimum. As a result of these design choices and colors, as well as the prevalence of artificial flora, the Temple feels a bit dated and fairly sterile. Still, the intentional use of light, view, and sound is impressive, and the Temple, while not necessarily aesthetically designed for everyone’s taste, is an astonishing space.

  1. Harold Klemp, The Temple of ECK (Chanhassen, MN: Eckankar, 1991), 110.
  1. Harold Klemp, The Temple of ECK (Chanhassen, MN: Eckankar, 1991), 43.

All of the material and colors throughout the Temple were carefully selected to create a sense of tranquility, light, and beauty. —Klemp